Robert Greenberg
1) The concerto
Author
Series
Pub. Date
[2006]
Description
The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama - the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra. In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its...
Author
Series
Pub. Date
c2000
Description
Although we often think of an artist's work as a window into their own inner world, that is not always the case. In the life of Peter Ilyich Tchaikovsky, however, we can see perhaps the closest link to be found anywhere between a creative product and the shifting moods of a turbulent soul, which found its outlet through the glorious music created by the great Russian composer. To know his music, you must know the man, and this fast-moving series of...
Author
Series
Pub. Date
2001
Description
Almost from the moment it was first set to paper, the music of Franz Joseph Haydn (1732-1809) - technically superb, rich in quality, and widely imitated - has exemplified the Classical style, creating not only the Classical-era symphony but setting the standard, through his own 68 string quartets, against which that form has ever after been judged. And yet Haydn, despite the influence left by more than 1,000 works, seems to no longer get his due,...
Author
Series
Pub. Date
p2002
Description
More than anyone before him - more than Beethoven, Byron, even the preternatural Paganini - it was Franz Liszt who created one of the most enduring archetypes of the Romantic era: that of the artist, "who walks with God and brings down fire from heaven in order to kindle the hearts of humankind." An innovative composer both for his own instrument and on an orchestral scale, Liszt was without a doubt the greatest pianist of his time and perhaps the...
Author
Pub. Date
p2000
Description
When it comes to creative longevity, brilliance across a range of styles, and near-universal fame, Igor Stravinsky (1882—1971) is nearly unrivaled among 20th-century artists. Stravinsky's career was a dizzying progression across the miles and the decades, from fin de siècle czarist Russia to Southern California in the 1960s. His career features styles ranging from nationalism and Impressionism to Fauvism, Neoclassicism, and the 12-tone ultra-serialism...
Author
Series
Pub. Date
p2002
Description
Johannes Brahms was a man of contrasts. His serious Teutonic music was balanced by joyful dance music. His miserliness with himself by exceeding generosity with family and associates. His kindness to working people with a biting, malicious wit reserved for those he encountered in artistic and aristocratic circles. He was not an easy man to know, destroying a good deal of his own work and almost all of his lifetime's correspondence, in later years...
Author
Series
Pub. Date
p2002
Description
In all the annals of Western music, there has never been a couple like the Schumanns: he a pioneering critic and composer (the only ever to achieve greatness as both), she one of the leading concert pianists of Europe, as well as a composer of no small talent herself. This series of eight lectures by an award-winning composer and acclaimed teacher includes excerpts of works by both of the Schumanns as part of an introduction to an extraordinary couple...
Author
Series
Pub. Date
p2001
Description
Have you ever wondered how the lives of great composers - especially when set against the social, political, and cultural context of their world - influenced their music? After listening to this perceptive series of eight lectures on the life and music of Ludwig van Beethoven, you will likely find that you hear his work in an entirely different way, with your insight informed by new knowledge of how Beethoven was able to create masterpieces from the...
Author
Pub. Date
p2000
Description
Even from the perspective of time, it is nearly impossible to grasp the full contribution made to music by Wolfgang Amadeus Mozart in his brief and glorious life. He composed his first symphony at the age of 8 and reached full artistic maturity by the time he was only 20. And when he died at the age of 35, he left a legacy of more than 600 works of brilliance - symphonies, chamber music, operas, and more - most composed during an incredibly productive...
Author
Series
Pub. Date
[2007]
Description
For anyone wanting to master music's language, being able to read musical notation is a necessity. But this course, as Professor Greenberg notes, is a basic course, designed to introduce you to music's language in a way that is similar to the way you learned your own native language, by "discovering and exploring musical syntax through our ears-- by learning what the parts of musical speech sound like-- rather than what they look like on paper." By...
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